Sunday, January 20, 2008
I have switched to free-range chicks!
I met Hugh's Chicken Run with a bit of scepticism, but follow up Chicken Run with Jamie's Fowl Dinners, and it almost became too much. I've switched, to eating only free-range chickens and now, my next step, buying free-range and organic eggs from the Farmer's Market, up from the Tesco's Value Eggs.
And surprisingly, like the song goes, "It's no sacrifice... no sacrifice. It's no sacrifice at all!" Admittedly, free-range costs more than value chicken. But it's not twice the price, it's two quid more for 4 chicken breasts (and they are larger). The main difference would probably be in the eggs, 1.10 for 6 large eggs, compared to 0.79 for 6 unevenly sized ones. Slightly almost twice the price, but my bet in quality is on the free-range, organic variety.
So while the three chefs are trying to change Britain's eating habits from fast to freedom, I thought about how affordable the luxury of eating conscience is here, compared to the organic awareness back in Singapore.
Despite the various food/health awareness campaigns going on, Singapore hasn't quite adopted the free-range, organic movement quite as readily as consumers have in European countries. The sensitivity factor is price. Unlike a small step up in price which still falls within my buying power, organic and free-range costs exhorbitant amounts compared to the usual standard-of-living fare that we're used to, and while the brown-rice stigma is fading, a shadow still lingers over many products.
Can money buy conscience? Can we honestly grow to believe that our dollar can save the world, prevent global warming, help chickens lead a better life and make us lose weight and gain back taste and experience?
Perhaps. But in the meantime, tune in to 3 meals for a chicken recipes proudly sponsored on Hugh's River Cottage site:
3 Meals from one bird
Meal one: Roast chicken
Serve this with nothing more than a green salad to mop up all the herby, buttery juices.
Serves 4–5
1 plump free range chicken, weighing 1.5-2kg
25g soft butter
a couple of generous handfuls of fresh herbs, such as parsley, chives and marjoram, roughly chopped
1 garlic clove, crushed
1/2 glass of white wine
Salt and freshly ground black pepper
Preheat the oven to 220C/gas 7. Remove the bird from the fridge at least an hour before cooking it. Take off any trussing from the chicken and remove the giblets if they’re inside (keep them in the fridge and use them for the stock, see below). Put the bird in a roasting tin and spread out its legs from the body. Enlarge the opening of the cavity with your fingers, so hot air can circulate inside the bird.
Put the butter in a bowl, throw in the herbs and the garlic and season well with salt and pepper. Mix together with your fingers, then smear all over the chicken, outside and in. Place in the centre of the hot oven and leave for 25-30 minutes.
Then baste the chicken, turn the oven down to 180°C/gas 4, pour the wine into the tin (not over the bird) and roast the bird for another 40–60 minutes, depending on its size. You can tell when it’s done by poking a knife into the part of the bird where the thigh joins the breast; the juices released should run clear.
Open the oven door, turn the oven off and leave the bird for 15–20 minutes to rest before carving. Carve the bird in the tin, as untidily as you like, letting the slices fall into the buttery juices, then take the whole thing to the table so people can help themselves.
Chicken stock
After eating your roast, let the chicken go cold then slice, pick and tease every last scrap of remaining meat from the bones. Set this aside.
The carcass that’s left can now be used to make a rich, savoury stock – a potential base for any number of soups, stews, risottos or gravies. Makes 1-1.5 litres
1 cooked chicken carcass
the neck and giblets from the chicken, if you have them, but not the liver
1-2 onions, roughly chopped
1-2 large carrots, roughly chopped
2 bay leaves
a few black peppercorns
3-4 celery sticks, roughly chopped
½ a large leek, roughly chopped
a few chunks of peeled celeriac or parsnip (optional)
1 sprig of thyme (optional)
a few parsley stalks (optional)
Tear the carcass into fairly small pieces and cram them, along with any skin, bones, fat, jelly or burnt bits from the roasting tin, into a saucepan that will take them snugly. If you have the fresh giblets, add these too (minus the liver, which can make the stock bitter – save it for sautéing).
Add the vegetables and herbs, packing them in as snugly as you can so that you need no more than 1.5 litres of cold water to just cover everything. Bring the pan to a tremulous simmer and let it cook, uncovered, for at least three hours – up to five. Top up the water once or twice, if necessary. Strain the stock through a fine sieve, leave it to cool, then chill it. A layer of fat will solidify on the top, which you can scrape off – but I don’t usually bother unless it’s excessive.
Meal two: chicken risotto
If you use a good, tasty chicken stock to make a risotto, you need very few other ingredients to make a meal of it.
Serves 6
1.5 litres chicken stock
80g butter
1 small onion, very finely diced
400g risotto rice
1 glass white wine
grated parmesan cheese and a little more butter, to finish
salt and freshly ground pepper
Other ingredients: choose fromabout 200g peas or petits pois (defrosted if frozen)
about 200g sweetcorn kernels
about 300g mushrooms (fresh, dried or a mixture)
100-150g bacon, cut into little scraps
anything else that takes your fancy – including chopped, leftover chicken
Bring the stock to a simmer in a pan, and keep it simmering while you cook the rice. Heat the butter in a large pan and add the onion (if you want to use bacon, add this along with the onion). Cook gently for 10 minutes or so until soft but not coloured.
Add the rice and cook for just a minute, stirring well to coat it in the butter. Add the wine and cook for a few minutes until it has been absorbed by the rice. Now start adding the hot stock, a ladleful at a time, stirring now and then and adding a fresh ladleful of stock once the last has been absorbed.
The rice should be cooked (tender but still just slightly al dente), and the risotto at the right soft, moist consistency after about 18 minutes. If you’re adding peas or sweetcorn, do so after the rice has been cooking for about 10 minutes. If you want to add mushrooms, sauté them in separate pan and add, with any juices, when the rice has almost finished cooking. Leftover chicken can go in just before the end too – just make sure it gets thoroughly reheated.
When the risotto is cooked, turn off the heat, dot a little butter all over the surface, and sprinkle with a little parmesan. Cover and leave for 2-3 minutes, then stir the melted butter and cheese into the rice. Season to taste then serve, in warmed dishes, with more parmesan.
Meal three: the leftovers
Here are just three of the ways you can use up the cold meat cut from the carcass after roasting. And if none of these take your fancy, never forget that a good chicken sandwich – with fresh bread, crisp salad and mayonnaise – is a thing of joy.
The Harder Edge to Soft Paws Anti-Scratching Solutions
Some context to start. I love my dog. My landlord loves her too (or has come to think she's very very cute) but before meeting my dog, she had requested that we do something to protect her hard wood floors from scratching caused by nails. This got me very worried, and so having turned to Mr Google for solutions, came across Soft Paws, among many other things to do to prevent your dog from scratching.
Developed by a veterinarian, Soft Paws are vinyl nail caps that glue on to your dogs nails. This amazing product effectively blunts your dog’s nails to protect against problem scratching; protecting against:
- Damage to Household Surfaces: Floors, Doors, Screens, Walls and Furniture
- Canine Skin Conditions Aggravated by Scratching
- Protects You from Scratches from Your Dog
- Dogs and Their Owners LOVE Them!
I bought a pack. It comes with 40 nail caps and 2 tubes of Soft Paws branded super glue that you use to stick the Soft Paws to your dog's nails. And so I did.
It worked a charm, for a while. Until I realised that the Soft Paws which were supposed to fall off naturally didn't. The glue that comes with Soft Paws really is super glue. Over time, the nails grow as they do, and the Soft Paws formed a thick, acrylic layer over the nails, changing the way Beanie walked.
Imagine artificial nails stuck on your toenails for months without coming off. That's probably what my uncomplaining dog had to put up with. I reckon when her nails started to curl, she probably just walked much less.
Dog lovers probably won't read this blog. But over time, I've found alternatives:
- Skilled nail clipping - it's not something only the groomer does
- Dremelling - A sanding tool which files your dog's nails down straight
- A nail file - God bless Manicure, it smoothes not just your nails
Any one of these options were far less painful for Beanie, more natural, and she's still not scratching the floor.
A sharp reminder to me not to opt for the lazy way out and do the right thing for the one living thing who always looks happy when I come home.
Monday, January 07, 2008
Hello Country, Goodbye Nightclub
In this year:
- Low-rise buildings, low-rise jeans
- Organic and free-range (food)
- Walks in the park
- Memories (like fire, radiant and immutable)
- Things of value = history, photography, old stuff
Out this year:
- Modern skyscrapers, long hair
- Cheap, mass-produced produce
- Shopping in the city
- New things, the future
- Things of value = money, bling bling, new stuff
In Auxerre, we bought a lovely Trousselier rotating lamp with Le Petit Prince prints on it. Initially I thought that I would love falling asleep to the Little Prince flying through the air in a slow motion natural rotation. But having placed it in a corner, I realised there was another undiscovered beauty to it.
In the corner, narrow bands of light wait in line to take off into feathered flight as the corner narrows band after band of light, only to stretch them out into a feathered quill, swirl them through the air, then neaten them up into a narrow line of light again in a feathery carousel.
I stared at them for hours, amazed by the simple beauty of a play of light.
Light. It was only light.
After a while, I'd realised it really is just the simple things.